![]() ![]() The other option our colorist could take is to apply his film information to his monitor first - before starting in on his color correction - so he’s grading as if his movie is already on film. ![]() How does this play out? I’ll layout a couple probably over-simplified examples: They only assist in the process.)) It’s never the result by itself. LUTs in no way replace proper calibration or color correction. In all cases of LUT use, the LUT is the means to make up the difference between source and result.((All cases assume the colorist (or you) is grading through a correctly calibrated monitor for evaluation and finishing. “L” being your LUT or the difference needed to make up between your source and your desired outcome. “S” being your source or what you start with. ![]() “R” being your result or what you want to attain. LUT means “Look Up Table.” It’s helpful to think of it like a math problem: R= S+L So, what exactly is a LUT?įirst of all what is a LUT and what are its typical uses? The new Sony F3 will soon have a firmware upgrade that enables an uncompressed 4:4:4 S-LOG mode that utilizes LUTs. Technicolor also released their CineStyle profile for Canon DSLRs and their documentation talks about using the included Look Up Table (LUT) in the post processing of your footage. Cineform’s First Light has been out for a while now and Red Giant’s LUT Buddy was just released. There are a lot of great tools out for grading and finishing. This is a guest post by producer/colorist Jay Friesen. ![]()
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